![softube plugin installer softube plugin installer](https://www.long-mcquade.com/files/78028/lg_3ae8398c4e14608459ef639978247b3d.png)
This is apparent in the layout and Softube has laid these controls out in a very straightforward manner while giving them the spotlight in the interface. One of the concepts at TSAR’s core is to readily give all of the tools to create both natural and other worldly reverbs and Softube believes that the key to a good reverb lies in the amount of control over the early reflections. Not only does TSAR-1 give a very simple choice of reflection size, it also allows a direct mix between reverb and reflections via the ER Mix knob to the right of the reflection size. From the top you have your early reflections type and mix. On top of all of the other visuals in the display, TSAR-1 features an input and output meter on the left and right of the display to help tailor levels to taste.Įither Above or below to display, the controls sit. Although this is not a hard and fast tool for calculating reverb, it is best to still rely on your ears and gut. Another great feature the display gives you is a calculated Reverb Time that will take all current parameters and estimate the time the reverb tail will drop 60dB. This function is one of those “how did everyone miss this” features that I can’t believe hasn’t been used in more plugins and has become a must for my personal workflow. Once the setting is changed to the previous, the existing then swaps over to the parenthesis and can be toggled back and forth for comparison. This value is your previous setting and can be accessed by clicking on the corresponding display. A quick look to the right of the value of each control, you will see another in parenthesis. Each knob, slider, or LED has a display either above or below the control that gives instant feedback as to the value changed, but this display actually does more than that. I mean, who doesn’t want to move faders around? The displays screen actually serves more purpose than just giving you numbers for each parameter. Unlike other reverb plugins, TSAR wanted to create a space that encouraged interaction and the interface really speaks to that. It is extremely easy to use, with everything laid out in a very logical fashion.
![softube plugin installer softube plugin installer](https://www.long-mcquade.com/files/77852/611a367bfe1c9be7cb32f077a708a0d7.jpg)
TSAR-1 takes on a similar look of some of the hardware units from the days of yore. Not only is the reverb engine impressive, the interface is easy on the eyes as well. This allows for better depth and control over all parameters in a way that won’t wash out your source audio. Not only do the 4 engines work independently per side, they also work together to affect the other side uniquely. While most reverbs use an engine for the left side and the right side, or even one engine per both, TSAR knows that in order to be true stereo like the name implies, you need 4 engines. How TSAR stands out immediately is in what’s under the hood.
![softube plugin installer softube plugin installer](http://www.economik.com/products/13001-13500/13450_full.jpg)
The room can also be easily altered to different sizes and depths. This is especially helpful when you want the size of a certain room but not necessarily the color or tone. Unlike convolution reverb that models spaces with impulse responses, TSAR uses an algorithm to create space. As was stated before, Softube is an algorithmic reverb.
Softube plugin installer update#
Installation is very easy due to the update Softube made to the installer that encompasses all formats in one file. It comes is all of the usual AAX, VST, and AU formats and installs via Softube’s Plugin Installer. TSAR-1 stands for TRUE STEREO ALGORITHMIC REVERB Model 1. There is a small majority of plugins that balance both functionality and power, but Softube saw an opportunity to topple the existing regime with a powerful reverb that also encourages easy interaction. On either end of the spectrum, you will get a bunch of modeled spaces that lack control or so many controls and graphs, you stick with the presets and never really explore. The reverb market either seems to be an afterthought for plugin developers or an exercise in control gluttony.